These are the minimum recommended system requirements for running Slice EQ.
If you have many instances of Slice EQ running, or use many filters at the same time in your patch the CPU usage will increase accordingly. Thus, we cannot guarantee that Slice EQ will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.
The versions of the plugins installed via the Slate Digital installers, like other Slate Digital products, uses the iLok licensing scheme. If you are using these versions, an iLok (USB dongle or iLok cloud) with a valid license from Slate Digital is required to use the plugins.
Kilohearts' Slice EQ is a powerful parametric equalizer, supporting six different filter types with full control over filter roll-off and Q. Stereo processing is possible with both Left/Right and Mid/Side modes.
Slice EQ has a workspace centric user interface which gives the user the option between either editing the filters visually in a spectrum view, or controlling each filter parameter individually by turning knobs.
This is an overview of the plugin UI. It may look a bit overwhelming at first, but let's try to break it down a bit.
Most parameters of Slice EQ are controlled by the knobs and the sliders seen in the UI. To move a knob or slider simply click on it, and while holding the mouse button down move the mouse up or down.
Sometimes you might want more precise control when tuning a parameter. Hold the shift key while moving a knob or slider to enter fine tuning mode, where the knob or slider will move more slowly.
You can reset a knob to its default position by double clicking it.
Finally, most controls support entering the value using your keyboard by right-clicking on them.
The first thing you want to do after installing Slice EQ is probably to try out some of the presets it comes with. To reveal the preset browser, click on the name of the current patch in the top most part of the UI.
Loading a preset in the preset browser is as easy as clicking on it. The preset browser also allows saving presets, and organizing them into folders. Presets are divided into two categories, factory presets and user preset.
Factory presets are included with Slice EQ or downloaded using the Kilohearts installer. Factory presets are write protected to protect them from accidental corruption.
The user presets folder is where you as the end user should store your own presets. By default this folder is located in your documents folder, but you are free to relocate it elsewhere.
Once you have checked out some of the presets you are probably eager to get your hands dirty and create your own patches. We designed Slice EQ to be easy and fast to work with, and we hope you will enjoy experimenting and discovering the possibilities. Still, knowledge is power, so in this section we will go through all the features of Slice EQ in detail.
A parametric equalizer, like Slice EQ, works by combining the effect of several simple filters into a complex equalization curve across the whole spectrum. Slice EQ supports the following 6 different filter types:
For each filter, the following parameters can be controlled independently:
The first tool in the toolbar is the edit tool, and this is what you will use most of the time to add new filters and edit them.
To add a new filter, first select the filter type from the palette in the tool options, then click and drag the zero decibel line to add a new filter of that type. When the magic wand icon in the filter type palette is selected the filter type will be decided automatically depending on where on the frequency axis you click. A small icon above the mouse cursor will show you what filter type will be added.
Filters are edited by dragging their handles. When dragging a handle left and right you will change the cutoff frequency for that filter. When dragging up and down you will change either the gain (for peak and shelf filters) or Q (for cut and notch filters). To change Q for any filter type, hold the Alt key while dragging, or scroll the mouse wheel while hovering a handle with the mouse cursor. Adjust the roll-off by holding the Ctrl key and dragging up and down. To increase precision while dragging any parameter hold the Shift key.
The Q of High & Low Cut filters will snap to a value of 0.707, or about -3 dB, when dragging their handles. This is the Q value where the filter cuts as steeply as possible without overshooting and boosting any frequency. Additionally, High & Low Cut filters with a Roll-off of 6 dB/octave will have their Q locked to this value for technical reasons.
Several filter handles can be selected at once by clicking and dragging a selection rectangle around them. They can then be dragged together.
To remove one or more filters you must first select them and then delete them by pressing the Delete key on your keyboard.
The pan view tool is used to pan the viewport along both the frequency and the gain axis. Simply click and drag to pan the view.
It is also possible to pan the view with any tool selected by clicking and dragging on the axis labels below and to the right of the viewport.
The zoom view tool is used to zoom the viewport along both the frequency and the gain axis. Simply click and drag to zoom the view.
It is also possible to zoom the view with any tool selected by scrolling the mouse wheel when hovering the axis labels below and to the right of the viewport.
The reference tool allows you to display an overlaid spectrum of another sound in the main work area. This can be useful in many ways, for example when trying to match the equalization curve of one song to another one, or during mixing when you want to avoid having two tracks clash in the same frequency range. Reference spectrums can be recorded and and later loaded from profiles which can be easily shared between different sessions.
The reference data can come from many different sources:
Below the tools in the toolbar you will find controls for handling equalization in stereo.
At the bottom is a dropdown that lets you choose if the equalizer works in Left/Right or Mid/Side mode. The Left/Right mode will let you apply different equalization to the left and the right channels. The Mid/Side mode, on the other hand, will let you equalize the mono content (mid) separately from the stereo content (side).
On top is the edit mode selector. It lets you choose what channel to edit with the edit tool. By default it is set to "both channels", but you can change it to left, right, mid, or side to only edit that channel. Instead of clicking, you can also toggle the current edit mode with the Tab key.
In the bottom right corner you will find the Gain and Mix knobs.
The Gain knob adjusts the overall gain of the equalizer. You can use this to compensate for your equalization inadvertently making the overall volume louder or softer.
The Mix knob scales the Gain parameter of all filters, scaling it down to 0 dB at 0% mix. Low cut, high cut and notch filters are not affected.
The filter list is found at the far right part of the user interface. The list is hidden by default and can be expanded by clicking on the panel labelled Filters.
The filter list gives you access to each parameter of every filter via a knob. You can also bypass filters in this list by clicking on the toggle button in the top left corner of each filter. Filters can be removed by clicking the X button in the top right corner.
In the status bar you will find two dropdowns which can be used to tune the look of the spectrum.
The equalizer can optionally oversample the signal in order to provide filter responses shaped closer to their analog prototypes. By default the oversampling is enabled automatically when the sample rate is low enough. You can override this behaviour to force oversampling on or off using the dropdown in the status bar.
This development of this product was helped by the following pieces of excellent open source software:
Skia Graphics Library
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Copyright © 2010-2013, NuEdge Development / Magnus Lidström
Copyright © 2005-2015, Lode Vandevenne
C++ optimized SHA1 algorithm
Copyright © 2011, Micael Hildenborg
By Rich Geldreich
By Don Clugston
By Laurent de Soras