Table of contents


Slice EQ is not a standalone program, it needs to be used in conjunction with a host application where it is loaded as a plugin. These programs are usually called "DAWs" (Digital Audio Workstations) or simply "hosts". There are many different DAWs available on the market, and Slice EQ works with those that support either the VST 2, AAX or the Audio Unit plugin architecture.
A patch is a configuration of Slice EQ that gives it a certain sound. Whenever you pull a slider or turn a knob you modify the current patch.
Presets are ready-made patches which ship with Slice EQ. Presets also make good starting points for your own patches.
Some of Kilohearts' products can host other plugins called snapins. While Slice EQ works as a standalone VST, AAX or Audio Unit plugin it can also be loaded as a snapin in for example Multipass.

System requirements

These are the minimum recommended system requirements for running Slice EQ.

2 GHz or faster
1 GB or more
Operating System
No matter if you are a Windows or Mac user, Kilohearts recommend keeping up to date with OS versions as they become available. We are not able to support OS version that are no longer supported by their respective manufacturers. If you are using an outdated OS please try our free trials to ensure compatibility before making any purchases.
A DAW supporting VST 2, AAX, or Audio Unit plugin standards.

If you have many instances of Slice EQ running, or use many filters at the same time in your patch the CPU usage will increase accordingly. Thus, we cannot guarantee that Slice EQ will work flawlessly in all use cases even if your system does meet the minimum recommended system requirements.

The versions of the plugins installed via the Slate Digital installers, like other Slate Digital products, uses the iLok licensing scheme. If you are using these versions, an iLok (USB dongle or iLok cloud) with a valid license from Slate Digital is required to use the plugins.


Kilohearts' Slice EQ is a powerful parametric equalizer, supporting six different filter types with full control over filter roll-off and Q. Stereo processing is possible with both Left/Right and Mid/Side modes.

Slice EQ has a workspace centric user interface which gives the user the option between either editing the filters visually in a spectrum view, or controlling each filter parameter individually by turning knobs.

User interface


This is an overview of the plugin UI. It may look a bit overwhelming at first, but let's try to break it down a bit.

  1. In the top bar the name, author and description of the current patch is shown. By clicking the 'Browse' button you toggle the preset browser.
  2. The top bar also holds controls for Undo and Redo as well as the A/B configuration selector, which allows you to quickly switch between two different equalization setups to compare them.
  3. Just above the work area is a small bar containing options for the currently selected tool.
  4. In the middle of the UI you will find the main work area. It shows all the filters curves and their combined equalization curve, as well as a real time spectrum analyzer of the processed audio.
  5. To the left of the main work area you will find a toolbar with small selection of tools. It also holds controls for which stereo channel you are editing, and whether the equalizer works in L/R or M/S mode.
  6. In the rightmost part of the work area you will also find a large VU meter measuring the overall volume of the processed audio, together with controls for overall gain and dry/wet mix.
  7. To the right of the work area is a list of all the filters in the current patch. This list is hidden by default and can be expanded by clicking on the panel labelled Filters or right-clicking a filter handle.
  8. The very bottom of the window holds the status bar, which gives you tips about whatever your mouse is over at the moment. It also has controls for changing the appearance of the spectrum, changing oversampling, and resizing or scaling the UI.

Operating the controls

Most parameters of Slice EQ are controlled by the knobs and the sliders seen in the UI. To move a knob or slider simply click on it, and while holding the mouse button down move the mouse up or down.

Sometimes you might want more precise control when tuning a parameter. Hold the shift key while moving a knob or slider to enter fine tuning mode, where the knob or slider will move more slowly.

You can reset a knob to its default position by double clicking it.

Finally, most controls support entering the value using your keyboard by right-clicking on them.

Working with patches

The first thing you want to do after installing Slice EQ is probably to try out some of the presets it comes with. To reveal the preset browser, click on the 'Browse' button next to the Slice EQ logo.

Patch selector

Loading a preset in the preset browser is as easy as clicking on it. Double clicking will load the preset and also close the browser. You can also step through all the presets in the current folder by using the arrow keys, or the arrow buttons in the top bar.

Presets are divided into a number of folders, visible on the left hand side. 'Favorites' starts out empty but will be filled with any presets you favorite by clicking their heart icon. 'Factory' contains the presets shipped with Slice EQ, categorized in subfolders. The 'User' folder is the default location for saving your own presets, but you are free to add any number of additional folders by clicking the 'Add Location' button at the bottom of the list. Hovering a location you've previously added will show an 'x' button, which allows you to remove it from the list again.

The search field has free text search of all preset information: name, description and author. All words in your search will be matched in any order. To do exact matches of multiple words, put your search terms in quotes. You can also quickly search for all presets by a certain author by clicking the author name in the rightmost column, or searching for "by:Author Name"

Left of the search field you will find back and forward arrows, which work much like in a web browser by taking to to the previous folder or search results.

Default Preset

Right-clicking a preset in the browser list shows a small context menu with controls for setting the default preset for Slice EQ. This will make all new instances start with the specified preset opened automatically.

You can close the preset browser by clicking the 'Browse' button again, clicking the 'X' button on the top right, pressing the escape key, or double clicking a preset

Your currently selected preset is also shown in the top bar, where you can edit the name, author and description by clicking them. Saving your changes is done with the 'Save' button, and the 'New' button clears the current patch.

Save Dialog

The save dialog lets you choose where to save your preset. Note that write protected folders like 'Factory' and 'Favorites' are not included. The 'Name' and 'Author' fields reflect the preset info fields in the top bar, but gives you an opportunity to edit it again before saving.

At the top of the dialog, the 'Create Subfolder' button lets you create subfolders to categorize presets in any way you like.

Building your sound

Once you have checked out some of the presets you are probably eager to get your hands dirty and create your own patches. We designed Slice EQ to be easy and fast to work with, and we hope you will enjoy experimenting and discovering the possibilities. Still, knowledge is power, so in this section we will go through all the features of Slice EQ in detail.

A parametric equalizer, like Slice EQ, works by combining the effect of several simple filters into a complex equalization curve across the whole spectrum. Slice EQ supports the following 6 different filter types:

Boosts or attenuates sound around a certain frequency.
Low & High Shelf
Boosts or attenuates sound below or above a certain frequency.
Completely cuts out sound around a certain frequency.
Low & High Cut
Completely cuts out sound below or above a certain frequency.

For each filter, the following parameters can be controlled independently:

The center frequency for the filter. For example, the peak filter boosts or attenuates sound close to this frequency.
How much the filter boosts or attenuates the sound. Not available for Notch and Cut filter types.
Adjusts the bandwidth of the filter. Increasing Q will create a sharper peak around the cutoff frequency.
The roll-off, measured in decibels per octave, dictates how sharp the transition from stopband to passband is for a filter.

Edit tool

Edit tool options

The first tool in the toolbar is the edit tool, and this is what you will use most of the time to add new filters and edit them.

To add a new filter, first select the filter type from the palette in the tool options, then click and drag the zero decibel line to add a new filter of that type. When the magic wand icon in the filter type palette is selected the filter type will be decided automatically depending on where on the frequency axis you click. A small icon above the mouse cursor will show you what filter type will be added.

Filters are edited by dragging their handles. When dragging a handle left and right you will change the cutoff frequency for that filter. When dragging up and down you will change either the gain (for peak and shelf filters) or Q (for cut and notch filters). To change Q for any filter type, hold the Alt key while dragging, or scroll the mouse wheel while hovering a handle with the mouse cursor. Adjust the roll-off by holding the Ctrl key and dragging up and down. To increase precision while dragging any parameter hold the Shift key.

The Q of High & Low Cut filters will snap to a value of 0.707, or about -3 dB, when dragging their handles. This is the Q value where the filter cuts as steeply as possible without overshooting and boosting any frequency. Additionally, High & Low Cut filters with a Roll-off of 6 dB/octave will have their Q locked to this value for technical reasons.

Several filter handles can be selected at once by clicking and dragging a selection rectangle around them. They can then be dragged together.

To remove one or more filters you must first select them and then delete them by pressing the Delete key on your keyboard.

Pan view tool

The pan view tool is used to pan the viewport along both the frequency and the gain axis. Simply click and drag to pan the view.

It is also possible to pan the view with any tool selected by clicking and dragging on the axis labels below and to the right of the viewport.

Zoom view tool

The zoom view tool is used to zoom the viewport along both the frequency and the gain axis. Simply click and drag to zoom the view.

It is also possible to zoom the view with any tool selected by scrolling the mouse wheel when hovering the axis labels below and to the right of the viewport.

Reference tool

The reference tool allows you to display an overlaid spectrum of another sound in the main work area. This can be useful in many ways, for example when trying to match the equalization curve of one song to another one, or during mixing when you want to avoid having two tracks clash in the same frequency range. Reference spectrums can be recorded and and later loaded from profiles which can be easily shared between different sessions.

The reference data can come from many different sources:

Turns off the reference spectrum.
Displays the spectrum of the sidechain input in real time.
Factory profile
Load one of the reference profiles bundled with the plugin.
User profile
Load one of the reference profiles you saved earlier.
Create profile from file
Create a reference profile from audio in a wav file.
Record the current (main or sidechain) input to a profile.

Edit mode & Stereo mode

Stereo ModeBelow the tools in the toolbar you will find controls for handling equalization in stereo.

At the bottom is a dropdown that lets you choose if the equalizer works in Left/Right or Mid/Side mode. The Left/Right mode will let you apply different equalization to the left and the right channels. The Mid/Side mode, on the other hand, will let you equalize the mono content (mid) separately from the stereo content (side).

On top is the edit mode selector. It lets you choose what channel to edit with the edit tool. By default it is set to "both channels", but you can change it to left, right, mid, or side to only edit that channel. Instead of clicking, you can also toggle the current edit mode with the Tab key.

Offset, Gain & Mix

In the bottom right corner you will find the Offset, Gain and Mix knobs.

The Offset knob shifts the frequency of all filters, making it easier to do interesting sweeps or using the EQ as a custom filter within a snapin host like Snap Heap, Multipass or Phase Plant.

The Gain knob adjusts the overall gain of the equalizer. You can use this to compensate for your equalization inadvertently making the overall volume louder or softer.

The Mix knob scales the Gain parameter of all filters, scaling it down to 0 dB at 0% mix. Low cut, high cut and notch filters are not affected.

Filter list

Filter ListThe filter list is found at the far right part of the user interface. The list is hidden by default and can be expanded by clicking on the panel labelled Filters.

The filter list gives you access to each parameter of every filter via a knob. You can also bypass filters in this list by clicking on the toggle button in the top left corner of each filter. Filters can be removed by clicking the X button in the top right corner.

Spectrum view settings

In the status bar you will find two dropdowns which can be used to tune the look of the spectrum.

Spectrum mode
Adjusts the frequency resolution of spectrum analyzer. Select between octave or 1/3 octave bars, and exact which shows a continuous curve.
Adjusts how quickly the spectrum falls off to zero when the sound goes silent.


The equalizer can optionally oversample the signal in order to provide filter responses shaped closer to their analog prototypes. By default the oversampling is enabled automatically when the sample rate is low enough. You can override this behaviour to force oversampling on or off using the dropdown in the status bar.

Snapin mode

Snapin Mode

Slice EQ can also be loaded as a snapin in snapin hosts like Snap Heap, Multipass or Phase Plant. In this mode, the Snapin interface shows a preview of the EQ curve, along with Offset, Gain and Mix knobs. At the top, up/down arrows can be used to scan through presets and a full browser can be opened by clicking the preset name. To edit the current patch, press the pen icon. This will open the full Slice EQ interface in a separate window.


This development of this product was helped by the following pieces of excellent open source software:

Boost C++ Libraries

Skia Graphics Library
Copyright © 2011, Google Inc.

Symbiosis AU/VST
Copyright © 2010-2013, NuEdge Development / Magnus Lidström

Copyright © 2005-2015, Lode Vandevenne

C++ optimized SHA1 algorithm
Copyright © 2011, Micael Hildenborg

By Rich Geldreich

By Don Clugston

By Laurent de Soras